Posts Tagged ‘The Maroon’

COLLECTION SPOTLIGHT: Loyola University Publications

People often ask me, “What does an Archivist do?”

If they have never heard of archives before I explain that it is similar to what a librarian does except that the materials do not circulate (though if digitized they may be online). If they have heard of archives/archivists, I’ll explain what duties I have specific to the archives profession within the Special Collections & Archives in the Monroe Library at Loyola University New Orleans.

The university environment means that a good portion of what I do is to provide reference services for collections that were produced by the university to the university community. By no means do we have a complete record of the university and its students, faculty, and alumni, but we do have a lot of useful material that illustrates the history of the university.

Below you will find some of our digitized University Publications. These publications are useful ready-reference resources for looking up information about classes, programs, alumni and staff/faculty.

College Bulletins:

Contain information about each school or college. Beginning about 1969 the bulletins contain information only about undergraduate schools or colleges. Collection covers the years 1855-1924. Digitized/downloadable and full-text searchable.

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The Maroon:

This is the Loyola University student-produced newspaper that is Digitized/downloadable and full-text searchable. This is a fantastic resource to search alumni, faculty, news, sports, events, and happenings of the Loyola community. Often the first place I look when researching alumni. Collection covers the years 1923 – present.

Maroon

The Wolf:

This is the university’s yearbook. Published (for the most part) annually from 1924 through 2007, this is the go-to place for finding basic information on alumni. Digitized/downloadable and available on the Internet Archive, this is full-text searchable (just make sure to search inside the volume not the entire site – a common mistake).

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These publications are only a few of the many that we have here in SCA, so please feel free to contact us with any of your University Archives questions M-F from 9-4:30.

New Orleans Jazz & Heritage Festival 2016

New Orleans Jazz & Heritage Festival

Today all of New Orleans is abuzz with excitement. The day that locals, tourists, and jazz enthusiasts alike have all been (rather impatiently) waiting for has finally arrived, and the entrance gates of the New Orleans Fair Grounds are spread wide to welcome us to the New Orleans Jazz & Heritage Festival!

A Brief History

In 1970, jazz impressario George Wein was hired to create a festival unique to the city of New Orleans, LA. When announcing the inaugural festival, Wein said,”The New Orleans Jazz & Heritage Festival represents a new and exciting idea in festival presentation. This festival could only be held in New Orleans because here and here alone is the richest musical heritage in America.”

The 1970 New Orleans Jazz & Heritage Festival brought together the likes of Mahalia Jackson, Duke Ellington, Pete Fountain, Al Hirt, Clifton Chenier, Fats Domino, The Meters, The Preservation Hall Band, parades every day with The Olympia Brass Band and Mardi Gras Indians among others. Although only 350 people attended the first “Jazz Fest,” the festival quickly developed into a cultural event synonymous with the spirit of New Orleans.

By 1972, the event had outgrown the confines of Congo Square and relocated to the New Orleans Fair Grounds (the 3rd oldest racetrack in the United States). Two years later, the festival introduced its first limited-edition silkscreen poster, now produced annually and recognized as the most popular poster series in the world.

The 1990′s saw the popularity and significance of Jazz Fest soar–the New York Times would write that the festival had “become inseparable from the culture it presents,” and in 2001, the Jazz Fest celebrated the centennial of Louis Armstrong with a total of over 650,000 attendees.

The New Orleans Jazz & Heritage Festival annually hosts a blend of local talent and internationally renown performers and “continues to celebrate the culture of Louisiana with the combined fervor of a gospel hymn and the joy of a jazz parade.”

Happy Jazz Fest, Wolf Pack!

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Check out our digital archive of the school newspaper, the Loyola University Maroon, here.

Special Collections and Archives, located on the third floor of Monroe Library, is open for research and quiet study Monday-Friday, 9:00-4:30.

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Found in the Archives is a recurring series of crazy cool stuff found in the Monroe Library’s Special Collections & Archives.

Marie Laveau: Voodoo Queen of New Orleans

When a devout Catholic becomes history’s most infamous practitioner of Voodoo, where does fact slip away and fiction reign? The life and legacy of Marie Laveau, immortalized as “Voodoo Queen of New Orleans,” is shrouded in mystery.

Portrait of Marie Laveau, Frank Schneider (after George Catlin), Louisiana State Museum

A skeptical Bill Murphy, writer for The Maroon Vol. 42 No. 11 (1966), briefly discusses Marie Laveau as both a historical figure and legendary character of New Orleans. The few known facts about Marie Laveau as provided by Murphy are as follows:

1. Marie Lavoux (as it was then written) was a free mulatto, born to the family of Charles Lavoux, at New Orleans, in 1794.

2. At the age of 15, she married a free mulatto carpenter named Jacques Paris. The marriage was preformed by the famous Pere Antoine on August 4, 1819.

3. The couple resided at a house in the 1900 block of North Rampart Street until the death of Paris in 1822.

4. Widowed, Laveau became a hairdresser to the wealthy women of New Orleans as a means of support.

5. In 1826 Laveau became the common-law wife of Captain Christopher Duminy Glapion, a free person of color and an officer in the Company of Men of San Domingo.

6. At the beginning of her second marriage, Laveau entered the Voodoo cult which already existed in New Orleans. By the time she was 32, she had assumed both the title and power of the city’s Voodoo Queen.

7. Laveau bore 15 children from her second marriage and lived with Glapion at their home on Saint Ann Street until his death in 1855.

For an in-depth look at Voodoo culture in New Orleans, peruse Robert Tallant’s Voodoo in New Orleans. Tallant, an author not swayed by outlandish rumors, dedicates a full 100 pages to Marie Laveau (and Marie Laveau II) in chapters as fantastically titled as “She Brought Them Gumbo and a Coffin” and “They All Danced Naked as Jaybirds.”

Voodoo in New Orleans endpaper

Marie Laveau has simultaneously terrified, inspired awe, and generally fascinated the public for nearly 2 centuries. Now 134 years after her death, the Voodoo practitioner holds a firm place in popular culture as the topic of chart-topping songs and basis of numerous fictional characters appearing in print and film, alike (most recently on American Horror Story: Coven).

Watch “Marie Laveau” by Bobby Bare on Youtube

Watch “Witch Queen of New Orleans” by Redbone on Youtube

Special Collections & Archives, located on the third floor of Monroe Library, is open for research and quiet study Monday-Friday, 9:00-4:30.

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Found in the Archives is a recurring series of crazy cool stuff found in the Monroe Library’s Special Collections & Archives.

Chin-Deep in Debris

Special Collections & Archives proudly presents Chin-Deep in Debris: A Katrina Retrospect One Decade Later!

Scheduled to coincide with the tenth anniversary of Hurricane Katrina, Chin-Deep in Debris: A Katrina Retrospect One Decade Later is a multi-media exhibit highlighting Loyola University’s resilient response to the Category 3 storm and the destruction left in its wake.

Featured within the exhibit are photographs by Harold Baquet and select publications of The Maroon and The Wolf. In addition, a number of interviews of the Hurricane Katrina Oral Histories Collection are available for viewing.

To read further on the topic of Hurricane Katrina as it relates to Loyola University, full editions of The Maroon published during the Spring 2006 semester can be accessed online here. Likewise, The Wolf (2006) can be viewed in its entirety here.

We sincerely hope that you join us on the 3rd floor of Monroe Library this semester! Special Collections & Archives is open for research and quiet study Monday-Thursday, 9:00-4:30 and Friday, 9:00-12:00.