Posts Tagged ‘Special Collections’

Collection Spotlight: Norman Treigle Papers

In memoriam of the anniversary of Norman Treigle’s death on February 16th, 1975 we are spotlighting our Norman Treigle Papers collection.

Adanelle Wilfred (Norman) Treigle was born in New Orleans on March 6, 1927, the youngest of five children born to Wilfred and Claudia (Fischer) Treigle. His introduction to music was through his mother, who played both piano and organ, and his singing career began as a boy soprano in a church choir.

Determined to pursue a musical career, Treigle entered Loyola University where he studied with Elisabeth Wood for seven years. He won the New Orleans Opera House Auditions of the Air in 1947 and made his operatic debut with the company as the Duke of Verona in Roméo et Juliette. Over the next six years he developed a repertoire of twenty-two roles with the New Orleans Opera and studied both drama and ballet to prepare for his career as a singing actor. He sang solos at religious services of all denominations, performed with the New Orleans Pops and the New Orleans Philharmonic Orchestra, and hosted a radio show on WWL. According to his daughter Phyllis, the proprietors of WWL suggested that he change his name from “Addie” to a more professional stage name, and after studying various names, Treigle finally chose “Norman,” the name previously bestowed on his son.

Although only 5’11” and 140 pounds, Treigle had a voice that belied his size and a dazzling acting ability. He was known for his dominating portrayals of Reverend Blitch in Carlisle Floyd’s Susannah, Grandpa Moss in Copland’s The Tender Land, Escamilio in Carmen and Mephistopheles in both Faust and Mephistofele as well the lead roles in Boris Gudonov, Figaro, Don Giovanni, and Gianni Schicchi. He and Beverly Sills often sang together in operas including Les Contes d’Hoffmann, Coq d’Or and Giulio Cesare that was produced to showcase Treigle in the City Opera’s premiere in new facilities at Lincoln Center in 1966.

Despite a vagabond career, he remained a New Orleanian. He and his second wife Linda lived near the lakefront with her daughter, Lisa, who Treigle adopted. His daughter Phyllis Susannah (born in 1961 and named after Phyllis Curtin, Treigle’s Susannah co-star) lived with her mother. He smoked constantly, drank Scotch, enjoyed wagering on the races at the New Orleans Fairgrounds, and was admired for his sense of humor and generosity.

On February 16, 1975, Treigle’s first wife, Loraine, found Treigle dead in his New Orleans apartment. The cause of death originally was thought to be result of a bleeding ulcer, but was later determined by the coroner to be an overdose of sleeping pills. Norman Treigle was forty-seven years old.

The Norman Treigle Papers consists of materials detailing the career and legacy of the opera singer. Press, programs, correspondence, contracts, photographs, costumes, and audio-visual materials are included in the collection. The bulk of the collection covers his years as a performer with some additional materials gathered after his death.

Treigle as Boito's Mefistofele

The collection is comprised of the following series:

Series I: Press & Programs

Series II: Correspondence

Series III: Contracts, Royalties & Financial

Series IV: Public Relations & Memorial Fund

Series V: Sheet Music –  Subseries I: Opera Scores – Subseries II: Oratorios and Cantatas – Subseries III: Art Songs & Popular Songs

Series VI: Educational Resources

Series VII: Photographs

Series VIII: Brian Morgan Research Files

Series IX: Scrapbooks & Oversized Publications

Series X: Audio-Visual Materials – Subseries I: Moving Images – Subseries II: Audio

Series XI: Costumes

You can view and research the Norman Treigle Papers Monday through Friday from 9-4:30 in the Special Collections & Archives of Monroe Library Loyola University New Orleans.

Happy Valentines Day! From LOYNO SCA!

HAPPY VALENTINES DAY!

Thompson, Basil. Childhood Scrapbook, circa 1900. Basil Thompson Papers, Box 4 Folder 4, Special Collections and Archives, Loyola University New Orleans. http://cdm16313.contentdm.oclc.org/cdm/landingpage/collection/p16313coll91, Louisiana Digital Library

Thompson, Basil. Childhood Scrapbook, circa 1900. Basil Thompson Papers, Box 4 Folder 4, Special Collections and Archives, Loyola University New Orleans. http://cdm16313.contentdm.oclc.org/cdm/landingpage/collection/p16313coll91, Louisiana Digital Library

#ColorOurCollections Week with Identifying Microscopic Fungi

In celebration of #ColorOurCollections Week, we have been looking for some scans from the past that we thought might be fun to decolorize.

One such post from 2014 explores both a book and its author,  Mordecai Cubitt Cooke’s Rust, Smut, Mildew and Mold: an introduction to the study of microscopic fungi.

We were initially impressed by the illustrations… but after being made curious and conducting a little research… we found a man with a truly fascinating life!

Mordecai was a busy guy!

M.C. Cooke did not have much in the way of a formal education but wrote hundreds of articles and books on botany and mycology. Collected roughly 46,000 specimens, contributed over 20 years of service to museum collections while editing journals and founding societies.

Here are the original color plates and the decolorized ones for #ColorOurCollections week:

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#ColorOurCollections

This week is #ColorOurCollections, a week-long special collections coloring event inspired by the current coloring craze and the fabulous images found inside special collections worldwide. Loyola’s Special Collections & Archives has three coloring books available for you to download and print:

Excerpts from the University Archives

Johann Gottlieb Mann’s Germany’s Wild Medicinal Plants

John Gould’s Birds of Great Britain

Throughout the week, we’ll also be posting new coloring pages related to our Mardi Gras collections!

Above: Loyola University New Orleans graduates Lloyd Frischhertz and Bobby Reichert, founders of the Krewe of Tucks, from the University Photographs Collection. Click here to download.

Once you’ve colored your picture(s), share them to social media including the hashtags #ColorOurCollections and #loynosca!

Click here for a list of other institutions participating in #ColorOurCollections to find even more coloring options.

#Feathursday

It’s #feathursday again! These ostriches can be found in the circa 1900 Basil Thompson Childhood Scrapbook in the Louisiana Digital Library.

Book Repair: Syr Perecyvelle of Gales // Kelmscott Press

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Today I completed a series of minor repairs to one of the most fascinating books in our collection, Syr Perecyvelle of Gales. This book was printed in the late nineteenth century at William Morris’ Kelmscott Press, which was famous for its emphasis on hand-craft in bookmaking. You can read more about this book here. If you’re interested in the full scoop on how I completed a resewing and spine repair on this lovely book, please follow this link to Special Collections & Archives’ Tumblr.

On This Day in 1884, Cotton Centennial

The World's Industrial and Cotton Centennial Exposition, New Orleans, 1884-85

December 16, 1884 marked the opening day of The World’s Industrial and Cotton Centennial Exposition. The Cotton Planter’s Association chose to commemorate the first recorded shipment of cotton from the United States to England, which happened in 1784, at the World’s Fair that year in New Orleans.

Special Collections & Archives has several books commemorating the Exposition. The World’s Industrial and Cotton Centennial Exposition, New Orleans, 1884-85 describes the opening ceremony and exhibits in the fair. Each state in the U.S. (of which there were 38 at the time), the 7 territories (Arizona, Dakota, Idaho, Montana, New Mexico, Washington, Wyoming), and 17 foreign nations (of which the Mexico exhibit was particularly lauded) had its own exhibit, and there were also dedicated  exhibits on the government, education, women, people of color, the railway, horticulture, art, and livestock.

Catalogue of the art collection describes the art on display at the exhibition and includes prices.

Finally, Map of the city of New Orleans showing location of exposition grounds and all approaches thereto by land & water shows the exhibition’s locations around the city as well as drawings of some of the exhibition buildings. Special Collections & Archives’ copies are very fragile, but the map is digitized and available online in David Rumsey’s Map Collection, Harvard University’s Digital Maps Collection, the University of Milwaukee’s American Geographical Society Library – Maps Collection, and Wikimedia Commons (shown below). Most of the exhibition took place in what is now Audubon Park.

There are many more items related to the Cotton Centennial in the Louisiana Digital Library, including LSU’s  New Orleans Centennial Exposition Stereoscopic Views collection.

A Louisiana "Swamp Angel," G. & S. Building, from New Orleans Centennial Exposition Stereoscopic Views, LOUISiana Digital Library, Baton Rouge, La.

You can view the three books detailed above in the Booth-Bricker Reading Room in Special Collections & Archives, Monroe Library, Monday-Friday 9am-4:30pm.

10,095 photos and counting!

Student worker Raven Evans (previously here) was hard at work last summer digitizing over 1,000 new images for the University Photographs Collection in the Louisiana Digital Library. Here are some favorites…

Loyola alum Morgus the Magnificent (aka Sid Noel) thrilling some students in 1957

Balloons!

Students eating boiled crawfish

Student acrobats

Cracker Jack?

Loyola’s next alumnus?

These and many (MANY!) more like them can be found in the University Photographs Collection. Thank you to Raven for all of her hard work!

Found in the Archives is a recurring series of crazy cool stuff found in the Monroe Library’s Special Collections & Archives.

LOYNOOA: Loyola University and Opera in New Orleans

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Special Collections & Archives presents our poster exhibit, LOYNOOA: Loyola University and Opera in New Orleans, located on the first floor of Monroe Library facing the library’s music collection. Using photos and information from the Loyola University Archives, student worker and vocal performance major Gloria Cosenza researched the relationship between the New Orleans Opera Association and Loyola’s opera education programs in conjunction with our 3rd floor exhibit featuring highlights from the New Orleans Opera Association archive. She assembled a timeline of instructors, alumni and notable events, which was translated into posters by SCA project assistant Sara White. Gloria is photographed here hanging some of the posters before vinyl decals were added to illustrate the three eras depicted in the timeline. If you are unable to see the exhibit in person, you may now view many of the posters individually on SCA’s Tumblr.

Happy Halloween!

To celebrate, check out a “Haunting Note” (above) from the October 30, 1981 issue of The Maroon.

Each year, the Loyola University New Orleans Maroon features fun, spook-tacular articles surrounding Halloween on campus and in the Crescent City.

Another holiday remembered by the Loyola Maroon is All Saints’ Day.

This article from the October 28, 1994 Maroon explains why All Saints’ Day is so important and reminds students to remember the Holiday amidst all of the Halloween celebrations.

In 2001, the Maroon published an article on the lighter side of Halloween and All Saints’ Day.

However you plan to spend your Halloween and All Saints’ Day,

The Loyola University New Orleans Special Collections & Archives would like to wish you a Happy Halloween!

Posted by student worker Samantha