Posts Tagged ‘new orleans review’

New Orleans Review Online

Special Collections & Archives at the Monroe Library hosts scanned back issues of the New Orleans Review, Loyola’s literary journal, in the Louisiana Digital Library. The NOR, for short, was started in 1968 by English department faculty Miller Williams, and has included advisory editors such as Joseph Fichter, S.J., and Walker Percy. In addition to the online collection, Special Collections & Archives also holds the NOR archive which includes correspondence, copy-edits, historical records, and more.

From the NOR website, authors published in the NOR include:

Walker Percy, Pablo Neruda, Ellen Gilchrist, Nelson Algren, Hunter S. Thompson, John Kennedy Toole, Richard Brautigan, Joyce Carol Oates, James Sallis, Jack Gilbert, Paul Hoover, Tess Gallagher, Sherman Alexie, Valerie Martin, Annie Dillard, Everette Maddox, Julio Cortazar, Gordon Lish, Robert Walser, Mark Halliday, Robert Olen Butler, Michael Harper, Angela Ball, Diane Wakoski, Dermot Bolger, Ernest J. Gaines, Roddy Doyle, William Kotzwinkle, Alain Robbe-Grillet, Arnost Lustig, Raymond Queneau, Yusef Komunyakaa, Michael Martone, Matthea Harvey, Bill Cotter, D.A. Powell, Rikki Ducornet, Ed Skoog, and many others.

Current issues of the New Orleans Review can be ordered through their website.

12-3-1947: A Streetcar Named Desire on Broadway

Prior to its opening night on Broadway, the Tennessee Williams play had a brief stint at the Shubert Theatre in New Haven, Connecticut, but eventually made a home at the Ethel Barrymore Theatre in New York City from December 3, 1947 – December 17, 1949. The stage production starred Marlon Brando as Stanley Kowalski and Jessica Tandy as Blanche DuBois.

In 1978, Susan Snowden Palmer sat down with Tennessee Williams in Atlanta, Georgia during the rehearsal of his play Tiger Tail. The interview was published in issue 1, volume 6 of the New Orleans Review.

In the interview, Williams discusses his experiences with the various adaptations of his plays. The focus of the interview is on Tiger Tail, but he goes into detail about what gets censored in film adaptations versus stage adaptations and how different each individual adaptation is unique. Williams acknowledges that he has no way of knowing whether or not his then-new play will live up to the successes of A Streetcar Named Desire and The Glass Menagerie, but he didn’t seemed too worried.

Read the full article and interview from the Loyola University New Orleans J. Edgar and Louise S. Monroe Library Digital New Orleans Review Collection (pg 31-33) or the New Orleans Review digital archive (pg 28-30).

To see more of the New Orleans Review digital collection check the Monroe Library Special Collections & Archives and to see more from the New Orleans Review, including recent web features and to purchase the most recent issues, go to the New Orleans Review website and Twitter.

Posted by student worker Samantha.